![]() There were at least three different ways of representing the scene in English manuscript illumination by the 11th century. 120vĬhrist’s Ascension was a popular subject in early medieval art. The Ascension of Christ, on an added leaf in the Galba Psalter, Reims (France), 1st quarter of the 9th century (additions England, 1st half of the 10th century): Cotton MS Galba A XVIII, f. It quickly became a significant feature in the Christian calendar, as one of the major feast-days celebrated in the course of the year, alongside Pentecost, Easter and Christmas. The event was frequently discussed in the writings of the Church Fathers, most notably St Augustine of Hippo (354–430), St Jerome (347–420) and other early Christian authors. The Ascension of Christ was one biblical event whose representation changed in the course of the Middle Ages.Īccording to biblical accounts, Christ ascended to Heaven 40 days after his resurrection, leaving his disciples to continue his work on Earth (Luke 24:51 Acts 1:9-11). Biblical events provided the inspiration for many illustrations in these manuscripts, but medieval artists often interpreted these scenes in different ways. These illuminated books reflect the huge variety of artistic expression present in England and France during the early Middle Ages, as discussed in more detail on our new Medieval England and France, 700-1200 website. Many fine examples of medieval art can be found in the pages of manuscripts.
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